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Functional Yup'ik Story Masks
In The Shelter Of His Wings
Commissioned - Alaska
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
Inner Strength - The Ptarmigan Who Got Away
- Currently Available In Shop
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
Peace Within
-Currently Available In Shop
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
Seasons of Time
Commissioned - Tennessee, USA
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
Sweethearts Companion Set 'Him'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Sweethearts Companion Set 'Her'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
In The Shelter Of His Wings
Commissioned - Alaska
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
Inner Strength - The Ptarmigan Who Got Away
- Currently Available In Shop
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
Peace Within
-Currently Available In Shop
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
Seasons of Time
Commissioned - Tennessee, USA
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
Sweethearts Companion Set 'Him'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Sweethearts Companion Set 'Her'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
In The Shelter Of His Wings
Commissioned - Alaska
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
Inner Strength - The Ptarmigan Who Got Away
- Currently Available In Shop
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
Peace Within
-Currently Available In Shop
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
Seasons of Time
Commissioned - Tennessee, USA
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
Sweethearts Companion Set 'Him'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Sweethearts Companion Set 'Her'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
In The Shelter Of His Wings
Commissioned - Alaska
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
Inner Strength - The Ptarmigan Who Got Away
- Currently Available In Shop
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
Peace Within
-Currently Available In Shop
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
Seasons of Time
Commissioned - Tennessee, USA
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
Sweethearts Companion Set 'Him'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Sweethearts Companion Set 'Her'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
In The Shelter Of His Wings
Commissioned - Alaska
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
This functional contemporary Yup'ik Eskimo story mask is dedicated to a good friend who is instrumental in helping children with disabilities, and those who are in the foster care system throughout our region of Alaska.
It represents the 'Circles of Support' her organization works toward in providing a healthy environment for both children in need, and those who give care.
In the western culture the 'owl' is often attributed as an icon of wisdom...I chose the Snowy Owl, who was made by the Creator, to represent the wisdom one must choose to seek after. The hoops depict circles of support, and the emblems surrounding the mask represent those who are caregivers and guides:
'The Gatekeeper Advocate' - The hand raised in prayer, depicts those who listen and provide the path toward healing.
'The Mentor Advocate' - Elder ice fishing, represents those who teach us new life skills and encourage us to grow.
'The Friend Advocate' - The dancer, depicts those who come alongside encouraging us to keep moving in the right direction.
'The Parent Advocate' - The mom holding her baby on her back represents the families who share wisdom and care.
This mask is designed to be worn traditionally by the dancer utilizing a bite to hold the mask up instead of head straps. This is carved into the back of the mask. From the kneeled position, the dancer uses their teeth to pick up the mask. When they rise up to begin the dance, it's as if they have transformed.
Materials: Alaskan Spruce, Basswood, Chalk Paint, Feathers, Reindeer Fur, Synthetic Sinew, Rare Earth Pigments Gathered on Nelson Island and the Yukon River (Alaska)
Dimensions: Roughly 32" high by 24" wide by 12" Deep
Created in 2019
Photo Courtesy of Josh O'Donnell, owner of DiamondShoot Photography
Inner Strength - The Ptarmigan Who Got Away
- Currently Available In Shop
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
The story unfolds on a cold winter day over 30 years ago, hunting beside Pederson Point lake, along the shore between the mouths of the two great rivers, the Naknek, and the mighty Kvichak in Bristol Bay Alaska.
Laying on the snow downwind of a group of Ptarmigan who were eating willow buds, I took the shot. All but one of the birds fled, ‘junk shells…’ I thought to myself in frustration. As I peered through my rifle's scope, I realized a single pellet had skinned his forehead right down the middle! Yet the bird held his ground and looked directly into my eyes…and his gaze unnerved me. As this single Ptarmigan stood in stoic defiance, I thought, ‘he has not given himself to me, I cannot take this bird’, a few more moments passed, he turned, then he slowly walked back through the willows to rejoin his group.
We crossed paths again roughly two weeks later, and once again I let him and his group go…and once again that particular Ptarmigan with his scarred forehead met my eye. To this day I imagine he passed on this encounter to his brood…
This story mask pays homage to the character of inner strength displayed through Creation. Today it serves as a remembrance for me, and a token of gratitude for the lessons I’ve learned over the years hunting Ptarmigan along the shores of my homeland.
Dimensions:: 15" x 15" x 5"
Materials: Basswood, Spruce Wood, Cherry Wood, Feathers, Porcupine Quill, Glass Beads, Synthetic Sinew, Soapstone, Brass Casing, Milk Paint, Gouache Paint, Rare Earth Pigments (personally gathered from the Yukon River, Alaska)
Created 2022
Peace Within
-Currently Available In Shop
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
We carry ancient prayers within us, prayers from our forefathers reaching back to the beginning. Cries of the heart that bridge time, bridge relationships, bridge the human condition. I once heard we are a reflection of the Creator who freely gives us favor and blessings, who enables us to become ‘real human beings’. This functional Yupik dance mask tells the story of a heart healed through forgiveness and grace, both within ourselves and to those around us.
This is a place I have been seeking after this past year, through both hardship and joy. May this artwork be an encouragement to continue the deep works within, so that others would experience peace through you.
A beautiful extension of my heritage, designed to be traditionally worn by a dancer using a ‘bite’ rather than head straps. Long ago, when they would bend down and retrieve the mask without their hands to help them, it was said…’it’s as if they have transformed!” This work has been hand carved in the tradition of my forefathers, the people of the Bering Sea.
Dimensions: 19"x21"x5.5"
Materials: Spruce Wood, Basswood, Feathers, Synthetic Sinew, Milk Paint, and Rare Earth Pigments (gathered from Nelson Island and the Yukon River, Alaska; applied using ancient technique passed down)
Created 2021
Seasons of Time
Commissioned - Tennessee, USA
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
This unique fine art was commissioned as a gift to celebrate an individual whose lifelong contributions in business has enriched the lives of people throughout Bristol Bay, Alaska.
Each element of this fully functional, traditional Yup’ik Eskimo story mask has deep meaning to me both personally and historically. It speaks of the region I call home, of its people, the deep connection we have with Salmon, and the outside world.
The mask is Salmon, with a person's spirit or ‘yua’ inside. This is a traditional art expression, showing the close connection our people have with Salmon throughout Bristol Bay. The human effigy is inset into the mouth, a symbol that the person is wearing Salmon’s skin as a cloak, as though to transform from one to the other. The mouth acts as a hood over the person’s face. Three wooden fins extend out; the topmost fin is shaped as a sail reminiscent of the double-ender sailboats used by the first commercial fishermen. The mask is also symbolic of the original people to inherit the land, our ancestors.
Dimensions: 20” x 36” x 8”
Materials
Willow Wood, Basswood, Cherry Wood, Red Cedar Wood Cork Floats (historically used in set nets of Bristol Bay - collected from Naknek, Alaska), Goose Feathers (domestic), Sea Glass Beads, Iron Rod, Synthetic Sinew, Commercial Fishing Twine, Chalk Paint, Natural Earth Pigments (personally gathered in Alaska)
Created 2022
Sweethearts Companion Set 'Him'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture traditional dance masks use a bite to hold the mask, instead of head straps. The dancer would bend over and use his teeth to pick up the mask. When they rise up and begin to dance from a kneeled position it's as if they have transformed to tell the story.
The body of the mask is approximately 8" x 12" with plumage extending out to an overall area of 20" x 20".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Sweethearts Companion Set 'Her'
Commissioned - Alaska
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Full size functional Yup'ik Eskimo dance mask. This is one of two in a companion set.
In the Yup'ik culture it was common to create companion masks to help tell a story during festivals. These masks are worn by holding them with your teeth, instead of straps. This allowed the dancer to 'transform' in a moment in front of your eyes.
The body of the mask is approximately 7 1/2" x 11" with plumage extending out to an overall area of 13" x 16".
Materials: Basswood, Reindeer Fur, Feathers, Mastodon Ivory, Synthetic Sinew, Milk Paint, Rare Earth Pigments Gathered From The Yukon River (Alaska - Koyukon Athabascan Region)
Created in 2019
Wall Art Maskettes
Owl Family Series 'Cousin'
Owl Maskette Wall Art
This is a contemporary version of its larger cousins. Designed as wall art for smaller spaces, it depicts Owl from the perspective of the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 6 1/2" x 8" with plumage extending out to an overall area of 12" x 12".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Stain, Paper, Ink
Created in 2018
Commissioned - Alaska
This is a contemporary version of its larger cousins. Designed as wall art for smaller spaces, it depicts Owl from the perspective of the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 6 1/2" x 8" with plumage extending out to an overall area of 12" x 12".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Stain, Paper, Ink
Created in 2018
Commissioned - Alaska
Owl Family Series 'Brothers'
Owl Maskette Wall Art
Designed for smaller spaces, these mischief Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Designed for smaller spaces, these mischief Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Owl Family Series 'Sisters'
Owl Maskette Wall Art
Designed for smaller spaces, these loving Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned Alaska
Designed for smaller spaces, these loving Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned Alaska
Owl Family Series 'Nephew'
Owl Maskette Wall Art
Designed for smaller spaces, this wonderful Owl depicts the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Designed for smaller spaces, this wonderful Owl depicts the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Provision
Yupik Mask Wall Art
Owl raises his wings to Creator for providing food on a stormy night.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Inspiration for this Yup’ik Story Mask comes from a scripture I read in my youth. A simple statement, encouraging us not to worry, spoke directly to my heart during many times of hardship. In this season it still speaks powerfully to me. May these words bring you peace too...
⠀⠀⠀⠀⠀⠀⠀⠀⠀
“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?” The Holy Bible - Matthew 6:26
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Dimensions: 4”x16”x20”
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Materials: Basswood, Black Spruce, Feathers, Milk Paint, Watercolor, Ink, Synthetic Sinew, Snowshoe Hare, Mastodon Ivory, Rare Earth Pigment Gathered From The Yukon River (Alaska)
Created 2019
Commissioned - Germany
Owl raises his wings to Creator for providing food on a stormy night.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Inspiration for this Yup’ik Story Mask comes from a scripture I read in my youth. A simple statement, encouraging us not to worry, spoke directly to my heart during many times of hardship. In this season it still speaks powerfully to me. May these words bring you peace too...
⠀⠀⠀⠀⠀⠀⠀⠀⠀
“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?” The Holy Bible - Matthew 6:26
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Dimensions: 4”x16”x20”
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Materials: Basswood, Black Spruce, Feathers, Milk Paint, Watercolor, Ink, Synthetic Sinew, Snowshoe Hare, Mastodon Ivory, Rare Earth Pigment Gathered From The Yukon River (Alaska)
Created 2019
Commissioned - Germany
Owl Family Series 'Cousin'
Owl Maskette Wall Art
This is a contemporary version of its larger cousins. Designed as wall art for smaller spaces, it depicts Owl from the perspective of the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 6 1/2" x 8" with plumage extending out to an overall area of 12" x 12".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Stain, Paper, Ink
Created in 2018
Commissioned - Alaska
This is a contemporary version of its larger cousins. Designed as wall art for smaller spaces, it depicts Owl from the perspective of the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 6 1/2" x 8" with plumage extending out to an overall area of 12" x 12".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Stain, Paper, Ink
Created in 2018
Commissioned - Alaska
Owl Family Series 'Brothers'
Owl Maskette Wall Art
Designed for smaller spaces, these mischief Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Designed for smaller spaces, these mischief Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Owl Family Series 'Sisters'
Owl Maskette Wall Art
Designed for smaller spaces, these loving Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned Alaska
Designed for smaller spaces, these loving Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned Alaska
Owl Family Series 'Nephew'
Owl Maskette Wall Art
Designed for smaller spaces, this wonderful Owl depicts the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Designed for smaller spaces, this wonderful Owl depicts the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Provision
Yupik Mask Wall Art
Owl raises his wings to Creator for providing food on a stormy night.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Inspiration for this Yup’ik Story Mask comes from a scripture I read in my youth. A simple statement, encouraging us not to worry, spoke directly to my heart during many times of hardship. In this season it still speaks powerfully to me. May these words bring you peace too...
⠀⠀⠀⠀⠀⠀⠀⠀⠀
“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?” The Holy Bible - Matthew 6:26
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Dimensions: 4”x16”x20”
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Materials: Basswood, Black Spruce, Feathers, Milk Paint, Watercolor, Ink, Synthetic Sinew, Snowshoe Hare, Mastodon Ivory, Rare Earth Pigment Gathered From The Yukon River (Alaska)
Created 2019
Commissioned - Germany
Owl raises his wings to Creator for providing food on a stormy night.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Inspiration for this Yup’ik Story Mask comes from a scripture I read in my youth. A simple statement, encouraging us not to worry, spoke directly to my heart during many times of hardship. In this season it still speaks powerfully to me. May these words bring you peace too...
⠀⠀⠀⠀⠀⠀⠀⠀⠀
“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?” The Holy Bible - Matthew 6:26
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Dimensions: 4”x16”x20”
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Materials: Basswood, Black Spruce, Feathers, Milk Paint, Watercolor, Ink, Synthetic Sinew, Snowshoe Hare, Mastodon Ivory, Rare Earth Pigment Gathered From The Yukon River (Alaska)
Created 2019
Commissioned - Germany
Owl Family Series 'Cousin'
Owl Maskette Wall Art
This is a contemporary version of its larger cousins. Designed as wall art for smaller spaces, it depicts Owl from the perspective of the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 6 1/2" x 8" with plumage extending out to an overall area of 12" x 12".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Stain, Paper, Ink
Created in 2018
Commissioned - Alaska
This is a contemporary version of its larger cousins. Designed as wall art for smaller spaces, it depicts Owl from the perspective of the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 6 1/2" x 8" with plumage extending out to an overall area of 12" x 12".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Stain, Paper, Ink
Created in 2018
Commissioned - Alaska
Owl Family Series 'Brothers'
Owl Maskette Wall Art
Designed for smaller spaces, these mischief Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Designed for smaller spaces, these mischief Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Owl Family Series 'Sisters'
Owl Maskette Wall Art
Designed for smaller spaces, these loving Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned Alaska
Designed for smaller spaces, these loving Owls depict the ancient art form of the Yup'ik Eskimo Story Mask.
The body of each maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned Alaska
Owl Family Series 'Nephew'
Owl Maskette Wall Art
Designed for smaller spaces, this wonderful Owl depicts the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Designed for smaller spaces, this wonderful Owl depicts the ancient art form of the Yup'ik Eskimo Story Mask.
The body of the maskette is approximately 3 1/2" x 4 1/2". The mount 7" x 12" with plumage extending out to an overall area of 13" x 13".
Materials: Basswood, Birch Wood, Feathers, Reindeer Fur, Synthetic Sinew, Milk Paint, Paper, Ink
Created in 2018
Commissioned - Alaska
Provision
Yupik Mask Wall Art
Owl raises his wings to Creator for providing food on a stormy night.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Inspiration for this Yup’ik Story Mask comes from a scripture I read in my youth. A simple statement, encouraging us not to worry, spoke directly to my heart during many times of hardship. In this season it still speaks powerfully to me. May these words bring you peace too...
⠀⠀⠀⠀⠀⠀⠀⠀⠀
“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?” The Holy Bible - Matthew 6:26
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Dimensions: 4”x16”x20”
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Materials: Basswood, Black Spruce, Feathers, Milk Paint, Watercolor, Ink, Synthetic Sinew, Snowshoe Hare, Mastodon Ivory, Rare Earth Pigment Gathered From The Yukon River (Alaska)
Created 2019
Commissioned - Germany
Owl raises his wings to Creator for providing food on a stormy night.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Inspiration for this Yup’ik Story Mask comes from a scripture I read in my youth. A simple statement, encouraging us not to worry, spoke directly to my heart during many times of hardship. In this season it still speaks powerfully to me. May these words bring you peace too...
⠀⠀⠀⠀⠀⠀⠀⠀⠀
“Look at the birds of the air: they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?” The Holy Bible - Matthew 6:26
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Dimensions: 4”x16”x20”
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Materials: Basswood, Black Spruce, Feathers, Milk Paint, Watercolor, Ink, Synthetic Sinew, Snowshoe Hare, Mastodon Ivory, Rare Earth Pigment Gathered From The Yukon River (Alaska)
Created 2019
Commissioned - Germany